Lasting the whole month of September, Wiki Loves Monuments—USA is part of an international Wiki Loves Monuments

competition that anybody with a camera and internet connection can join in on. Focused on improving the number and quality of photos related to historic monuments and places, the Wikipedia community started a photo contest in 2010 in the Netherlands. The result was 12,500 freely licensed images of monuments that anybody can use for any purpose. In 2011, 18 countries participated in the contest resulting in 5,000 participants submitting more than 165,000 images.

This year, 2012, the contest has come to the US and will focus on sites on the National Register of Historic Places (NRHP) which volunteers have organized on Wikipedia by state and county, including other sites chosen by local Wiki Loves Monuments coordinators.

Every participating country will put together a national contest with partners, rules, events, and winners. Then every national contest will nominate some of their winning pictures for the international contest. An international jury will award extra prizes to the best images from all participating countries. The grand prize this year will be a trip to Hong Kong!

Any participation is welcome: from uploading a single image to spreading the word about the contest, to even becoming

A winner of Wiki Loves Monuments 2011:
The cemetery with Douaumont ossuary (Verdun), France (Meuse, Creative Commons Attribution-Share Alike 3.0 Unported license.).

sponsor.

In the Washington, D.C. area we are lucky to have a cornucopia of historic buildings, statues, and towering monuments that are all ripe for the photographing. Take an afternoon, or even just a few seconds walking home from work, to take a picture of an old building or a statue and upload it in September to enter it into the contest. Take a tour with friends or family, or go on a solo hike around town. Participating is super easy. Just check out the already compiled list of historic places on Wikipedia at http://en.wikipedia.org/wiki/List_of_RHPs#Current_listings_by_state_and_territory and choose where you want to go.

On September 8th a group of energetic Wikipedians went forth on a photo scavenger hunt called Wikipedia Takes DC and took a plethora of great photos for Wiki Loves Monuments despite inclement weather in the afternoon!

Throughout September we will be having several uploading/meetup gatherings at the Starbucks on Dupont Circle so feel free to swing by and join the party!

Lisa Marrs, Outreach & Program Coordination, Wikimedia DC

Dominic McDevitt-Parks during Campus Ambassador training

GLAM, the Wikimedian acronym for Galleries, Libraries, Archives, and Museums, equates to more than just the institutions categorized by the letters. It also encompasses the merging of communities. On August 13, 2012, Dominic McDevitt-Parks, the wikipedian-in-residence at the National Archives and Records Administration since May 2011, gave a talk labeled “Cultural Institutions and Wikipedia: a Mutually Beneficial Relationship” on what a symbiotic relationship between Wikipedia and a cultural institution can look like.

Introducing Dominic was Wikimedia DC’s own Kristin Anderson, who described the Wikipedian community to the Library of Congress audience as “the only people who like information as much as library catalogers are Wikipedians…Wikipedia and the Library of Congress share Thomas Jefferson’s dream of…information for everyone.”

In his talk, Dominic broke down how cultural institutions and Wikipedia can work together to form mutually beneficial partnerships. If the goal of an institution is to encourage the use of its materials, Wikipedia is a natural fit, being the 5th largest internet site. Dominic gave numbers and a visual to put it all into perspective. The National Archives website gets 17 million views a day. In contrast, a very conservative estimate of the number of views that the Wikipedia articles that use National Archives material receive every day is well over a hundred million. This isn’t pointing at a problem, but at a fact, and one that can lead to a solution for many institutions; Wikipedia provides a ready-made platform to spread not only information through articles, but also to put up source documents on sister projects Wikisource and Wikimedia Commons.

The National Archives takes full advantage of this online volunteer community by encouraging local Wikipedians to come to scan-a-thons and the online Wikipedian community to tag the uploaded scans and transcribe the text documents on WikiSource. Due to the tireless efforts of many Wikipedians, well over a hundred thousand documents have been scanned in and transcribed.

Even if the question of whether or not Wikipedia is a reliable source is raised, if a person sees a mistake on Wikipedia, it is up to him or her to make the change. Unlike other encyclopedias or collections, if people find a mistake on Wikipedia or one of its sister projects, they can correct it. There is a large community of editors watching to make sure the information is as accurate as possible. Recognizing that its own information is not infallible, the Archives has created a feedback page on its own website for people to post mistakes and corrections on.

Dominic summarized the role of a Wikipedian-in-residence nicely: the Wikipedian-in-residence provides access to the institution to the Wikipedia community and vice versa, which brings about not only community engagement, but also culture change within the institution itself, making it more open and accessible to the layperson. This is change which the National Archivist David Ferriero heartily embraces and encourages, in the words of one blogger during the National Archives ExtravaSCANza in 2011, “If it’s good enough for the National Archivist, it’s good enough for you.”

Lisa Marrs, Outreach & Program Coordination, Wikimedia DC

Editing away in the Luce Center

Sculptures dot the hallways and rooms alongside works of art representing more than 7,000 artists in the National Historic Landmark, the Smithsonian American Art Museum. Within the many-tiered Luce Center 15 people gathered; their quest, to embark upon an edit-a-thon focused on 30 different masterpieces hand picked by the museum Director, Elizabeth Broun. Before the program began, she spoke to everyone about how putting the museum’s art on Wikipedia is one of her overarching “subversive goals”.

Following a tour and a scrumptious lunch provided by the museum, everyone filed into the Luce Center conference room and started working. Many participants had never edited Wikipedia, but it wasn’t long before they whetted their first tooth. From artist Childe Hassam to a created article on the Nakoda Wikipedia everybody contributed something to the world’s largest online encyclopedia.

Georgina Goodlander, the Web and Social Media Manager at the Smithsonian American Art Museum and the wonderful lady without whose efforts this event would not have been possible, has now got an appetite for Wikipedia, she says. A definite success, she plans to make Masterpiece Museum a series instead of a one-time event. Some meetings may even take place on a Saturday to catch those who cannot leave work during the week.

To see the images uploaded during the event, click here. To see articles created or improved during the event, click here.

Lisa Marrs, Outreach & Program Coordination, Wikimedia DC

Charles Street entrance to the Walters Art Museum.

Down Charles Street in Baltimore, Maryland sits a museum basking in the hot summer sun like a contented cat, right across from the gloriously green, statue-populated, and many-fountained grounds of Johns Hopkins University. Within the museum’s cool, white marble halls and rooms rest thousands of art treasures, from ancient American statues to canvasses from the mid-1900s. This is the Walters Art Museum, completely free to the public, and the site of ArtBytes, a hackathon that debuted the weekend of July 27, 2012.

Hackers from as far away as New York came together with museum staff to figure out how to better the museum experience in a competitive, yet collaborative atmosphere. The teams worked through the weekend and most of them arrived at the ending presentations with nearly completed, if still rough, products. There was team Time Machine’s mobile app that could recognize a work of art and then show that work’s original color or an xray of that work depending on the images and information the museum has in storage. Team Pez-Head created a way to do 3D modeling of sculptures and then print them out in rather excellent detail to make art more accessible by making it “touchable”. Both Team Schrodd0n and WalTours made different kinds of maps for mobile devices for the Walters Art Museum to help visitors navigate exhibits. Dave Raynes, a team of one, worked on making the data shored up in the Walters databases more easily available to software, which was a great help to many other groups. Badgify the Walters was all about putting up QR codes around the museum for kids to find and scan to collect points by doing quizzes on the art works which would eventually culminate in collecting badges on a profile online.

Although all groups ‘won’ the competition and each received $500, the judges managed to pick out two favorites to shower $1000 on. The first was

Goyo Kamisuki, picture in the “Beautiful Women” gallery where the Tanzuka hang

“Put Art in its Frame,” a mobile application where you can choose what time period the exhibit is in and then see all the significant world events that happened during that time period. The second was “Tanzaku,” a mobile application taking from the Japanese idea of writing notes on strips of paper (tanzaku) and hanging them up for all to see, which is an idea already in effect in the Hashiguchi Goyo “Beautiful Women” exhibit, where visitors write their own tanzaku and put them up on wires. The mobile app is a way to leave comments on art pieces and exhibits, as well as on the museum itself, with the potential to be connected to various social networking sites. All of this provides a way to potentially go on a tour with absent friends and explore how various pieces of art have touched different people.

So many amazing projects came out of this hackathon, sprung from the creative minds and intense will of their creators. Tapping into this pool of talented people, the Walters Art Museum ultimately benefited, providing an example other Galleries, Libraries, Archives and Museums may follow. The museum is not only enterprising in terms of calling forth capable people to use their talents and grow new abilities, but it also furthers its own goals by tapping into existing projects such as Wiki Loves Monuments, an event coming up in September where people all over the globe will sally forth to take pictures of public objects of historic and/or artistic value and upload those pictures onto Wikimedia Commons, both to increase the stock of public domain photos and to enter their photos in a contest. The Walters’ Wiki Loves Monuments is accepting pictures now of public artworks all over Baltimore as an extension of their Public Property exhibit (although note that only pictures submitted to Commons during the month of September are eligible for the worldwide contest).

Lisa Marrs, Outreach & Program Coordination, Wikimedia DC

During Wikimania 2012, Jimmy Wales said that he hopes Wikipedia never has to black out again in protest, but that it can if the need arises.

According to Daniel Weitzner, Deputy Chief Technology Officer for Internet Policy at the Office of Science and Technology Policy, the government has kept its hands off of the Internet, allowing innovation to course and the Internet to grow from a small sideshow to the main event, from a small community of researchers to being an indispensable part of global infrastructure. If the Internet were to be an economic sector, he told the audience at the New America Foundation‘s panel discussion on Transatlantic Perspectives on Digital Rights and Online Privacy, it would make up 3.5% of GDP in all OECD countries. Despite this, there is still no Department of the Internet, which is a good thing, Weitzner explained, because of the very horizontal nature of the World Wide Web.

At the same time, we are becoming increasingly aware of the need to create legislation or norms to protect the privacy of the average Internet user. Although it is highly unlikely that an all encompassing, grand public policy treaty on the use and protection of personal information on the Internet will ever be signed, laws should still be made to protect consumer privacy and to let businesses know where boundaries lie. It’s not enough to let companies and people regulate themselves. In order to really make an effort to enforce consumer privacy and protection, the “bully pulpit authority” of government regulation must be used. This does not equate to infringing on the freedom of expression online, which would slow the growth of online businesses and innovation.

Anti-ACTA demonstrators in Tallinn
photo courtesy of Otto de Voogd (CC-BY-SA 2.0)

Three of the four panelists, Konstantin von Notz, Markus Beckedahl, and Jeanette Hofmann, all shared the German perspective on digital rights and online privacy. Beckedahl, the founder of netzpolitik.org, told the amused audience how in Europe, the potential for ACTA (the infamous treaty already signed by the US to strengthen copyright legislation) to be signed by their own governments created a stir. Starting with Poles literally jumping in the cold in protest of the treaty (the story of which was told during Wikimania 2012), demonstrations spread to Germany where tens of thousands showed up to protest any abridgement of online creativity, and then to different parts of Europe. Jeanette Hofmann, Co-Founder and Director of Alexander von Humboldt Institute for Internet and Society, announced her own plans to create a study challenging the pervasive economic assumption that copyright is essential to prevent market failure.

The fourth panelist was one of America’s own, Gigi B. Sohn, the director and co-founder of Public Knowledge, who managed to pull something positive out of the SOPA/PIPA fiasco. Americans, she said, are now more concerned about where their politicians stand on issues touching the internet. Even though SOPA and PIPA went to the backburner in the face of public outrage, Sohn warned that lobbyists are still pushing hard to increase IP protection through the creation of jobs in the IP department and through IP protection personnel in departments where ones haven’t been seen before.

Wikipedia’s blackout design for SOPA

There is a fundamental difference, Sohn emphasized, between legislating the content on the Internet and how that content gets there. The barriers to potential growth and innovation on the internet are not really created by controlling the on-ramps but by controlling the width and scope of the road itself, she said. Wikipedia itself helps to bring awareness to this issue. When Wikipedia blacked out in protest of SOPA and PIPA, Europeans began paying attention to the issue of government control of copyright on the Internet, said Beckedahl.

What we say on the Internet has global reach. The information we spread can touch the lives of people all over the world. Still, five billion people do not have access to the Internet, so there is still tremendous room for growth. In the spirit of providing free access to the sum of human knowledge, the Wikimedia movement should continue to raise awareness about potential legislature that may abridge that access and engage more people in the spread of information and the inevitable creativity and innovation that comes with it.

Lisa Marrs, Outreach & Program Coordination, Wikimedia DC

Wikimania 2012 has come to an end. A week of pure exhilaration, excitement, energy, and elation drew to a close on the afternoon of July 15, as the remaining attendees turned off their laptops and exited the George Washington University Marvin Center one last time. For some, this had been a chance to see old friends. For all, it was an opportunity to meet new ones.

Being at Wikimania, and particularly being here in Washington, DC, provided a great opportunity for open culture and free knowledge enthusiasts to share their passion with the world. For Wikimedia District of Columbia, Wikimania had been about exploring new and exciting possibilities, engaging in active discussions and dialogue, and taking what was learned here back so that we can continue the work to empower people around the world through free access to global knowledge. That is why we chose “Explore. Engage. Empower.” as the theme for Wikimania 2012. And over the course of the past week, the more than 1,400 people from 87 countries who had participated in Wikimania 2012 and its associated events did just that.

Roberta Shaffer, Associate Librarian of Congress for Library Services, welcomes guests to the Google Opening Reception (Alejandro Linares Garcia, CC BY-SA 3.0)

With support from our sponsors and partners, over 700 people attended our opening reception at the Library of Congress, where the newest Wikipedian in Residence position was announced; more than 1200 participated in the opening ceremony, which featured keynote speeches from the Ada Initiative co-founder Mary Gardiner and Wikipedia founder Jimmy Wales; and our community heard over 275 speakers, many of whom are already active contributors to Wikimedia projects, including the Executive Director of the Wikimedia Foundation, Sue Gardner, and the Wikimedia Foundation Board of Trustees. In addition, we met and talked with the more than 200 participants at Tech@State: Wiki.Gov, and Richard Boly of the State Department’s Office of eDiplomacy shared a letter from Secretary of State Hillary Clinton congratulating attendees on the opening of Wikimania  2012 and Tech @ State. Over the course of 5 days, our 1,400 attendees consumed 3,791 lunches, enjoyed 5,424 cups of coffee, and visited nearly every museum and monument in the Washington metropolitan area (although a citation might be needed).  On these explorations, our local Washington, DC, highlights were photographed and many are newly included in Wikimedia Commons, a database of freely usable media files to which anyone can contribute.

Mary Gardiner speaking at the Wikimania 2012 Opening Ceremony (Helpameout, CC BY-SA 3.0)

One person in our community, to the surprise of some of our guests, is David Ferriero, the Archivist of the United States.  In his remarks at the closing ceremony on Saturday, Ferriero discussed the important role that Wikipedia and Wikimedia Projects have for preserving history and documenting cultural heritage. After reminding the audience that the National Archives has contributed more than 120,000 digital files and pictures to Wikimedia Commons, he told the crowd, “…if Wikipedia is good enough for the Archivist of the United States, then it’s good enough for you.”

Lori Byrd Phillips, US Cultural Partnerships Coordinator for the Wikimedia Foundation, reflected on the event, stating that “David Ferriero’s closing plenary illustrated just how inspiring the Wikipedia community can be for institutions and governments looking to become more open and transparent. Though, what was the most inspirational for me was the respect and appreciation shown by the Wikipedia community during the standing ovation for Mr. Ferriero. I’ve known that the Archivist of the United States loves Wikipedia, but last week I was reminded that the Wikipedia community returns that love to those who advocate for the movement.”

David Ferriero, Archivist of the United States, speaks at the Wikimania 2012 Closing Ceremony (Sebastian Wallroth, CC BY-SA 3.0)

We at Wikimedia DC would like to also return the love and thank our wonderful partners, collaborators, sponsors, and, especially, volunteers. Wikimania is an event that is put on largely by a group of dedicated international volunteers who donate their time and skills to ensure that all attendees have a wonderful and enriching experience. Wikimania would not have happened without the remarkable work of this amazing group of people. Kat Walsh, the newly elected Chair of the Wikimedia Foundation Board of Trustees, recognized the contributions that the conference organizers and volunteers made to the overall experience, stating that “The organizing team did an amazing job putting on the largest Wikimania ever, bringing together people from all of the various parts of our movement around the globe and presenting a full program of talks, tours, and workshops. My congratulations and thanks for the great work they’ve done.”

We’re grateful to Kat for her leadership, and we also appreciate our participants’ leadership going forward to make the great ideas shared a reality.  We, as diverse individuals and as a community, had the chance over this past week to explore many ideas and engage in lots of discussions during our conference.  We have aspirational goals, and we know that will see many positive outcomes from Wikimania 2012 in the months and years ahead.

Wikimania 2012 attendees at a Teahouse Meetup (Doctree, CC0 1.0)

Wikimedia DC strives to put on events in support of free global knowledge, and our journey has only begun with Wikimania. If you live in the District, Virginia, Maryland, West Virginia, or Delaware, we invite you to become a member and join our Meetup group. Even if you’re outside our area, you can still donate to help support Wikimedia DC’s various programs, such as the Embassy Outreach Initiative, the upcoming Wiki Loves Monuments US, or our other various events and programs, such as edit-a-thons, LibraryLab, or the Wikipedia Campus Ambassador program.

In closing, we’d like to thank our amazing volunteers one more time. We really could not have done this without the help, advise, and support of many people. Although not everyone on our great team is listed below, you can identify and applaud volunteers on Wikipedia through the Wikimania Barnstar. We encourage you to award one to those people who did something special, whether or not they formally volunteered!

Thanks for visiting us in Washington, DC.  We hope to see you next year in Hong Kong for Wikimania 2013!

With sincere gratitude,

James Hare and Nicholas Michael Bashour

The Wikimania 2012 Organizing Committee

James Hare – Wikimania Coordinator
Nicholas Michael Bashour – Wikimania Deputy Coordinator
Katie Filbert – Technical Coordinator
Tiffany Smith – Program Chair
Orsolya Virág – Deputy Program Chair
Deror Lin – Deputy Program Chair
Sage Ross and Jessie Wild – Scholarships Coordinators
Chad Horohoe – Registration Coordinator
Danny B. – Volunteers Coordinator
Lisa Marrs – Information Desk Maven

Copyright notice: images are licensed under the Creative Commons Attribution 3.0 Unported license or the  Creative Commons CC0 1.0 Universal Public Domain Dedication, as noted.

Photo courtesy of Gryffindor under the Creative Commons Attribution-Share Alike 3.0 Unported license.

The Austrian Embassy’s giant reception room was packed. Row upon row of quiet guests in formal evening attire sat beneath a wide, glassy sunroof allowing the last rays of the sun to soak quietly into the dim room. Even the people in blue and red in the paintings lining the walls seemed to be waiting. The stage was set and lit and an older woman with short, blonde hair took the microphone, “This is my last cultural event,” Andrea Schrammel, the Director of the Austrian Cultural Forum Washington, informed the waiting audience. Even though she had spoken these words several times before, it was much more real this time, as the Austrian government was calling her back to Vienna after four years in the United States.

After her brief introduction of the event, a musical duet by famed Jazz piano composer Michael Kahr and violin prodigy Barbara Helfgott, Wikimedia DC‘s own Nicholas Bashour, in a turquoise button shirt that matched the blues in some of the art around the room, took the stage as a sponsor of the event and told the expectant audience that this event is only the tip of the iceberg, that Wikimedia DC is active and looking for more opportunities to reach out to the international crowd.

Austrian Violinist Barbara Helfgott, photo by Nicholas Michael Bashour, CC BY-SA 3.0

Applauding, the people fell silent when Kahr, tall with a fitted black suit and mahogany hair feathering his neck, stepped out of the backroom alone and took the ready stage. Without preamble he sat down at the waiting piano and began. Soft and classical notes met strains of improvisation in a dizzying way as the last of the sunlight faded from the room and the only light came from the beams concentrated on the man and his piano.

After two songs, he finally arose, bowed to the applause, and addressed the audience saying how wonderful it was to be there that night and to introduce Barbara Helfgott as “the future of Austrian music”. She came striding out of the backroom in six inch sparkly white heels, sleeveless black dress that went to the top of the knees, and a brilliant smile, holding out her violin and bow as she crossed to center stage.

Nodding to the sound technician to her left and clenching the violin between her chin and shoulder, she smiled at Kahr and winked at the audience as the bada-tss of percussiondrums and other instruments began to throb from the speakers and wash out over the audience like the beginning ripples of a rising tide. Then Kahr joined in with the piano, moving back and forth on the seat, shoulders keeping the beat along with his fingers as they ran across the keys. Nodding and tapping her toes, Helfgott moved in, the first few notes screaming out from the violin like lost souls. The audience began to look restless, phones were brought out, someone left the room with fingers in her ears. Yet Helfgott smiled and turned to Kahr, nodding almost imperceptibly, and the real music began.

Austrian pianist Michael Kahr and Austrian violinist Barbara Helfgott, photo by Nicholas Michael Bashour, CC BY-SA 3.0

For forty or so minutes straight, Helfgott and Kahr coaxed wild and beautiful melodies from the piano and violin, intertwining and separating them from the background music thumping from the speakers. After finishing the first set, they returned for not one, but two encore performances. During the first encore, Helfgott introduced the next song, “I’m So Excited,” by taking the microphone and giving a short speech about how excited she was to be at the embassy, how excited the embassy people were to have her and Kahr, and she knew the audience was super excited, too. Then, Helfgott turned to the audience and said, “well, this concert is called From Mozart to Michael Jackson. There hasn’t been any Mozart, but, we have Michael Jackson,” after which she and Kahr played the finalist song: “Billie Jean” by Michael Jackson.

After the romping musical escapade during which Kahr shook his shoulders to the music and Helfgott danced as she played her violin, Helfgott and Kahr returned for a final encore, this time, a request from the audience. “Mozart, Mozart!” the audience chimed in, but, unfortunately, according to Helfgott, “Mozart did not really write a lot of pieces for piano and solo violin.” As a compromise, she played, on her own, a rendition of one of Mozart’s most famous and challenging arias, “Der Hölle Rache kocht in meinem Herzen” from the opera “Die Zauberflöte” (The Magic Flute).

After the concert, everyone broke for food and wine, and during the reception we had the opportunity to briefly interview these two great musicians.

Barbara Helfgott, with her amazing showmanship, got her start on the violin at the tender age of 5, and by 10/11, she was already winning contests and attending university classes for the musically gifted. After being turned away from philharmonics because “women can’t play the same as men,” she resolved to create her own philharmonic ensemble. And she did: the Rondo Vienna, a group of up to 25 women musicians that travels Europe and, in 2007, won the Austrian Show Award.

Although she doesn’t have a favorite location where she would love to play, she does want to play wherever there are “people who love music. There is a symbiosis between musician and audience: the musician expresses themselves through their music and the audience takes and gives back, in turn expressing themselves through listening.”

Joe Zawinul
Photo courtesy of Wikimedian, under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Michael Kahr first became attached to jazz when he heard the music of Joe Zawinul, an Austrian-American jazz keyboardist and composer. With jazz, he says that “the music itself draws you in. It is a musical language, there are no definitive differences you can point to between Austrian, African, Australian, and American jazz even if there are some researchers now trying to find those differences.” And he has been all of those places in search of musical inspiration, studying jazz wherever he goes.

“When I was young, I knew I wanted to travel,” he added. He has visited America (the birthplace of jazz), Africa, the Middle East, and Australia in order to find traditional instruments, gather inspiration, and experience the music scene in those countries as well.

As the guests slowly trickled out from the embassy into the humid blanket of night with the orange glow of incandescent bulbs behind them, and those who live at the embassy climbed the stairs to their living quarters, no one had a cross word to say, or a regret for coming. Bridging cultures and languages, bringing people together to connect ideas, Wikimedia’s Embassy Outreach Initiative’s second event left everyone moon walking away with thrumming hearts and dancing minds.

Lisa Marrs, Outreach & Program Coordination, Wikimedia DC

Wikimania’s coming to DC next week! With so much to do and see in this political, cultural, and economic center many of our guests might be overwhelmed. So leave a comment describing a spot in DC, be it a restaurant, museum, park, monument, street or library that either is your favorite, or, if you’ve never been in DC before, you are looking forward to visiting the most, and explain why that is. Let’s churn up some ideas so folks from outside the area can prioritize their to-visit list!

In the spirit of fun, we’re going to make this a contest based on the quality of reasoning behind why a place is your favorite.